Songs for Ourselves Revisited: A Dialogue Between Maggie Benston and the Rest of the Euphoniously Feminist and Non-Performing Quintet

In this article for Canadian Women’s Studies, Volume 13, Number 2 (1993), Pat Davitt writes about the politics of the singing group the Euphoniously Feminist and Non-Performing Quintet. The piece is based on a dialogue among the members of the group centred on the question “why sing at all?”