Songs for Ourselves Revisited: A Dialogue Between Maggie Benston and the Rest of the Euphoniously Feminist and Non-Performing Quintet In this article for Canadian Women’s Studies, Volume 13, Number 2 (1993), Pat Davitt writes about the politics of the singing group called the Euphoniously Feminist and Non-Performing Quintet. The piece is based on a dialogue centred on the question “Why sing at all?” that takes place among the members of the group Metadata Title: Songs for Ourselves Revisited: A Dialogue Between Maggie Benston and the Rest of the Euphoniously Feminist and Non-Performing Quintet Date: 1993 Publisher: Canadian Women's Studies Region: British Columbia City/Town: Vancouver Author(s): Pat Davitt
